Certainly
one of the best-known composers ever, Bach's choral writing goes from
short, simple pieces to the immense sophistication of the Matthew Passion.
It's easy for a familiar piece like 'Jesu Joy of Man's Desiring' to be
over-performed and seem trite, but don't let familiarity breed contempt -
they don't come much better than Bach.
Bach spent
much of his working life in the Lutheran church in Leipzig, as both
organist and music director. Much of his music is overtly religious, while
even many of his secular works have religious interpretations on some
levels. His large output of organ music is considered to be the greatest
legacy of compositions for the instrument, and is the measure by which all
later efforts are judged. His other solo keyboard music is held in equally
high esteem, especially his 48 Preludes & Fugues. His other chamber music
is similarly lofty, the sets for solo violin & solo cello being the
summits of their respective genres. But for us it is the choral music that
will always be Bach's ultimate gift to us.
Matthew
Passion - Monteverdi Choir/Sir John Eliot Gardiner
There are lots of recordings of the Matthew
Passion, and this isn't the most modern, but it is a definitive recording
of a remarkable piece of music. It's long and yet somehow doesn't seem
heavy - Bach's magic is to build up the emotion of the passion, to leave
the piece ending as if it almost isn't finished, yet not to feel that
you've been battered by three hours of music.
This is anything but a heavyweight 'choral
society' assault on the Matthew Passion, but neither is it the over-pared
approach of a tiny choir. Instead it is very precise, with a suitably
baroque feel, with plenty of spirit where required. And the performers
realise this isn't high opera - so there's no unwanted and unneeded
excessive vibrato. Recommended. -
New 12
February 2003
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