Sheppard was
a prolific contemporary of Tallis, who is sadly
neglected at the moment. His music is not always as sophisticated as
Tallis', but has energy and enthusiasm, and he is prepared to break the
rules in a way that can sound strangely modern. Perhaps his best
achievement is the way he uses treble voices in soaring high notes. In
fact such was Sheppard's enthusiasm for the treble voice that he is
alleged to have kidnapped a young boy from Malmesbury and dragged him back
to Magdalen College, Oxford to sing in the choir.
Cantate Mass: The Sixteen
Two discs and only 4 of 20 tracks are the
Cantate mass - there's also a good range of motets including many of
Sheppard's best known pieces, such as the Christmas motet Verbum caro
factus est and the beautiful Libera nos. If you need convincing
of Sheppard's genius, just listen to the Amen of Jesu salvator
saeculi, redemptis - taken individually some of the lines sound
positively 20th century in their modernity, and in combination it takes
your breath away - it's hard not to say 'he can't do that!' - but he does.
Perhaps the only criticism is that the Sixteen underplay the clashes so
they aren't quite as shocking as they could be. Even so, probably the best introduction to Sheppard
now on the market. -
New 14
March 2003
Sacred
Choral Works: Tallis Scholars
A good second CD to get if you like the sound
of Sheppard, adding 6 new pieces to the Cantate Mass recording (though I
admit there are two overlaps). Like the Sixteen, the Tallis Scholars have
a good sound for Sheppard, though of course neither of them use the
trebles that Sheppard was so fond of. -
New 14
March 2003
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